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History Exhibition!

HARRIET E. WILSON – 1825-1900: earliest known African American novelist, AND HER WORK STILL PACKS A PUNCH!

Statue of Harriet E. Wilson, Milford, NH

March 15th is the birthday of Harriet E. Wilson (1825-1900) of Milford, New Hampshire, born a nominally “free” laboring class African American woman.

In 1859, Harriet Wilson, in an open and honest attempt to supplement her meager income, completed the now famous novel “Our Nig; or Sketches From the Life of A Free Black In a Two-Story White House, North Showing that Slavery’s Shadow Falls even there”.

She got it copyrighted by the US District Court of Massachusetts in August, and published in print by George C. Rand and Avery in September. It is the oldest known printed novel to have been published by an Afrikan author (of any gender) in North Amerika.

This novel was widely believed to have been written by a white person until 1982, when exhaustive irrefutable evidence was compiled and presented to prove the authenticity of Wilson’s authorship.

The novel is still highly controversial today, especially to northern liberals, because it raises critical questions about how different from slavery the life of a “free” Black laborer in the Amerikan North actually was during the lifetime of its author.

The novel begins with the following words:

PREFACE:

IN offering to the public the following pages, the writer confesses her inability to minister to the refined and cultivated, the pleasure supplied by abler pens. It is not for such these crude narrations appear. Deserted by kindred, disabled by failing health, I am forced to some experiment which shall aid me in maintaining myself and child without extinguishing this feeble life. I would not from these motives even palliate slavery at the South, by disclosures of its appurtenances North. My mistress was wholly imbued with SOUTHERN principles. I do not pretend to divulge every transaction in my own life, which the unprejudiced would declare unfavorable in comparison with treatment of legal bondmen; I have purposely omitted what would most provoke shame in our good anti-slavery friends at home.

My humble position and frank confession of errors will, I hope, shield me from severe criticism. Indeed, defects are so apparent it requires no skilful hand to expose them.

I sincerely appeal to my colored brethren universally for patronage, hoping they will not condemn this attempt of their sister to be erudite, but rally around me a faithful band of supporters and defenders.”

The novel is in the public domain, so the rest of it can be read for free here.

It can also be heard read aloud as a free audiobook here.

The AAHM&CC encourages you to read or listen to it.

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History Exhibition!

AN HONORABLE AND DIGNIFIED HARRIET TUBMAN DAY TO ALL, … But full pensions for aged veterans sure would be nice!

This newspaper clipping from 1908 claims that Harriet Tubman is 93 years old at the time of this photo. If true, that would place her the date of her birth as 1815. Other sources have estimated her birth in the early 1820s. Although she served the US army in the 1860s, the army refused to give her a military pension until 1898.

Today, as the AAHM&CC Celebrates Harriet Tubman Day, we remember not just the sacrifices our elders have made for us, but also the long and ongoing struggle to get them the respect they deserve.

Harriet Tubman is remembered as an icon for abolitionism.

She should also be remembered as an icon in the struggle for African American army veterans to receive their pensions!

It is well known that Harriet Tubman served the Union military during the Civil War, most famously on the Combahee River, where she became the first woman to lead a US army combat operation.

Lesser known is the fact that, after the standing army phase of that war ended, it would be 33 years before Harriet Tubman would receive her army pension.

Tubman had no birth certificate, because she was born into chattel slavery some time in the early 1820s or late 1810s. So, she was at least 43 in 1865 when Lee surrendered to Grant at Appomattox, at least 55 in 1877 when the Union formally abandoned Reconstruction and surrendered the South to Jim Crow rule for the next nine decades. And she was at least 68 in 1890 when the Second Morrill Act established the HBCU colleges.

She did not begin receiving her small pension until 1898, by which time she was at least 76. Even then, the matter of giving her a tiny pension was so controversial that it took a heated debate in the federal Congress to make it happen!

Harriet Tubman died on March 10th, 1913, at somewhere between the ages of 91 and 98.

Seventy-Four-year-old AAHM&CC Co-Founder Omari Tahir Garrett is also a US army veteran who is also to this day receiving neither his army pension nor his full regular social security check, which is a ongoing living example of continued racial inequality within the Social Security program, a overall progressive program which, nevertheless, was founded in such a racist way that, for the first 20 years of its existence, it actually widened the wealth gap between “white” and “non-white” households instead of narrowing it.

This March 10th, in honor of Harriet Tubman, we call for the dignity and human rights of all women, all veterans, and all African Americans.

Ashe.

Categories
History Exhibition!

BENKOS BIOHO’S LIFE MATTERED! AND HERE’S THE PROOF!

Statue of Benkos Biohó in the main square of San Basilio de Palenque, the free town which he founded in 1599. The statue’s right arm is outstretched eastward towards Africa.

This month the AAHM&CC pays a solemn and grateful tribute to our heroic freedom fighter Benkos Biohó, on the 400th anniversary of his brutal execution by hanging and quartering in March of 1621.*

We also take this moment to celebrate the fact that, at long last, an English-language book has  been published (in January 2019), rendering his long suppressed story finally accessible to the anglophone Amerikan public: FREEDOM! THE UNTOLD STORY OF BENKOS BIOHO and THE WORLD’S FIRST MAROONS!, A TRUE STORY, by KOFI LENILES and DR. KMT SHOCKLEY, ILLUSTRATED BY IROUPA KEINKEDE, Published by AuthorHouse.

Benkos had been kidnapped in the late fifteen-hundreds from his native island in the Western Mali/Kaabu region of Guinea-Bissau (a part of the world which, nearly four centuries later, would field another world-renowned freedom fighter, Amílcar Cabral).

In approximately 1599 (two decades BEFORE Virginia unloaded its first slave ship), Benkos Biohó, escaping slavery for at least the second time, led a group of about 30 escapees in founding one of the oldest and longest lasting free Afrikan Maroon cities in the Western Hemisphere! 

This town, San Basilio de Palenque, stands proudly as a beacon of liberty to this day! (Yanga, in Veracruz, Mexico, is even older!)

Benkos led the people of Palenque in a just and courageous war against the Spanish Empire’s slave traders, frequently raiding the nearby Atlantic slave port of Cartagena and setting the captives free.

In 1603, the Governor of Cartagena Gerónimo de Suazo, admitted that he was unable to defeat the free people of Palenque, and offered a peace treaty with King Benkos Biohó, which was extended in 1612 between Biohó and the next Governor, Diego Fernández de Velasco.

Naturally, however, the next Governor, Garcia Girón, broke the treaty by ambushing and kidnapping Biohó in 1619, holding him prisoner until March of 1621, and publicly murdering him because, in Girón’s words “It was dangerous the extent to which Biohó was respected in the population!”

But Biohó became even stronger as a martyr! The brave people of Palenque rose up against his treacherous murderers and resumed the war for freedom. They fought for 70 more years, until 1691, when the King of Spain himself personally signed a peace treaty with Palenque!

The 1691 truce has been cautiously maintained and guarded by Palenque ever since, with Spain and with its Imperial successor, the modern state of Colombia. Like its predecessor, Colombia continually vacillates in its willingness/desire to keep its promises to indigenous peoples of either Afrika or this hemisphere.

And yet, the people of Palenque, trustworthy and dedicated to long memory, still sing their ancestor’s songs about the valor of Benkos Biohó, and teach those songs to their children.

Benkos Biohó is a hero to all Afrikan people worldwide!

To all indigenous people worldwide!

To all coastal seafaring people worldwide!

To all laboring class people worldwide!

And to any human being who is sincerely in favor of freedom!

We are all Benkos Biohó!

Ashe!

As of this month, Biohó’s free town of Palenque has endured continuous struggle to exist for 422 consecutive years!

If necessary, so will the African American Heritage Museum & Cultural Center!

*Accounts very as to the exact day of his death, (anywhere from March 3rd through about March 16th, 1621) due to the inability of the Julian/Gregorian white power structure to keep a straight calendar for that length of time, and its propensity for burning the books of other cultures who might otherwise have successfully done so. However, it is a clear that Benkos Bioho was publicly dismembered for a European settler audience in March of 1621.

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IN SOLEMN MOURNING

AAHM&CC STATEMENT ON THE DEATHS OF FEBRUARY 9, 2021

The AAHM&CC asks all readers to pause for a moment of silence here to uplift and acknowledge the two victims shot, one of them fatally, late on the night of Tuesday, February 9th, in the Urban League occupied/controlled parking lot of our Museum by the employee of “Coast Property Management” (hired by the Urban League and approved by the City of Seattle *), as well that employee himself–who was then shot and killed by the SPD later the same night. We send strength, power and love to the families and all affected by this tragedy.

In particular, we ask that readers send good thoughts and donations to the family of our late beloved sister Anais Nin Valencia, killed for no reason at the age of 23.

The murder of Anais Nin Valencia could have been prevented.

Her killer, the 45-year-old violently unstable Coast Property Management employee Greg Taylor, was clearly in desperate need of mental health treatment and counseling, which he should have received. His volatility, mental illness, and propensity to threaten others with a loaded gun were all a matter of public record, of which Coast Property Management, The Urban League and the City—via its police department—were all aware.

In the meantime, while he should have been receiving treatment, he should not have been placed in the de-facto position of wielding armed authority in the name of a property management scheme. Yet, the fact is that he was maintained in a unique and opaque position of employment by at least two successive management companies—both hired by the Urban League and approved by the City of Seattle.

The AAHM&CC continues to stand for the implementation of the publicly documented and officially designated use of the former Coleman School premises, firmly established by the City of Seattle itself since February of 1994, as is clearly demonstrated in the  45-page report of the MAYOR’S AFRICAN AMERICAN HERITAGE MUSEUM AND CULTURAL CENTER COMMITTEE, which you can view here!

We also continue to stand on our mutually signed and sealed Purchase and Sale Agreement which has made our organization the rightful owner of the building since January of 1998, which you can view here. This agreement has never been terminated by any foreclosure process, and is still as valid as the day it was signed, despite the habitual tendency of white power structures to break their treaties.

Contrary to what is often said about us, we are not an encampment. We are present in furtherance of these official public documents.

In contrast to us, The Urban League, its subsidiary flag-independent ground-floor “tenant” organization, and its corrupt supporters within city and county government have been willfully and illegally obstructing this good public project with force and violence since June 4th, 1998, occupying the building for profiteering objectives contrary to its authentic designated use.

These obstructionists have set up a racketeering operation inside the building, whereby unauthorized entities are falsely representing themselves as the building’s owners to individuals in search of residential housing, and are illegally charging such individuals monetary “rent” to unsafely and uncomfortably inhabit a building that is neither intended for residential use nor owned by the organized criminals collecting this “rent”. These gangsters further enrich themselves by intercepting as much public taxpayer HUD money as they can in the name of the building, but spending as little of it as possible on either real functional housing or urban development.

Gregory Taylor was one of the individuals whom these racketeers were taking advantage of in this way—both as a “tenant” and an “employee”—which exacerbated his already unstable mental condition instead of treating it.

The AAHM&CC has been trying to work with the City to implement the plan identified by the Mayor’s African American Heritage Museum And Cultural Center Committee since 1994. Even without the City’s help, we would by now have long ago implemented this plan on our own had we not been interrupted by the City’s force and violence in 1998.

The plan we’re being prevented from implementing has abundant flexibility to host mental health treatment programs on the old Coleman School Property (the true name of which is, of course, that African American Heritage Museum & Cultural Center). Daybreak Star Indian Cultural Center and El Centro De La Raza have begun to explore such necessary programs at their facilities, while the Asian Counseling and Referral Service, for its part, has established and consolidated such services.

Had Gregory Taylor received proper mental health treatment in an uncorrupt setting, he most likely would not have committed this homicidal act, and therefore also would not have then fired a gun in the direction of the police, who (hopefully) would therefore also not have killed him. Anais Nin Valencia and Gregory Taylor would both still be alive.

For these reasons, as well as many others, the blood of both Anais Nin Valencia and Gregory Taylor is upon the hands of the City of Seattle, Coast Property Management and the Urban League.

It is time for those entities to step aside and finally allow the people of both the Central Area and Seattle/MLKing County’s greater Africatown metropolitan area to construct their African American Heritage Museum and Cultural Center with this critical piece of land and infrastructure.

      -AAHM&CC

*Citation: Part II, Section 15 of King County Records document number 20061211000013, an illegal covenant entered into between the Urban League and the City of Seattle on December 7th, 2006 to run the building as an apartment complex instead of a Museum, page 18 of which purports to give the City decision making authority over the operation while simultaneously denying that the City has any responsibility for the operation.

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History Exhibition!

AAHM&CC CELEBRATES THE BIRTHDAYS OF MARTIN LUTHER KING, PAUL CUFFE & ISAAC MYERS!

January 17, 2021

PAUL CUFFE

ISAAC MYERS

Link to the full proceedings of the December 1869 Black labor convention chaired by Isaac Myers. (These proceedings were published by Frederick Douglas at the printing press of the New Era newspaper on April 4th, 1870.)

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Community Celebration

AFRICAN AAMERICAN HERITAGE MUSEUM AND CULTURAL CENTER IS HOSTING THE ANNUAL TREES FOR PEACE FUNDRAISER! (OPEN AS OF THE 35TH FOUNDERS DAY! NOVEMBER 23D!

The Annual Holiday Trees For Peace Fundraiser is a community tradition that has been co-sponsored by the AAHM&CC and the Umojafest Peace Center for over a decade!

Started in 2008, this tree sale for the defense of Black lives has been organized each year ever since (with the one exception of 2019, when it was rudely and illegally interrupted by the gentrification firm known as “Lake Union Partners”, who chose to breach their contract with the African American community that year).

In 2020, starting on our 35th Annual Founders Day! (November 23rd), the African American Heritage Museum & Cultural Center is proudly hosting this community function at OUR OWN LAND AND BUILDING, rightfully purchased by us in 1998!

We are very thankful for all of the participants in this year’s George Floyd peoples democratic uprising against lynching and apartheid, who are enforcing Article 17 of the Universal Declaration of Human Rights so that we can finally use our own land!

Our affordably price trees are right to fit YOUR budget.

Tell all your family, friends, church and other groups about this opportunity to continue being part of the change.

Trees are available for pick up daily at 2300 S Massachusetts St, Seattle, WA 98144.

To place your order today, please call 206 717-1685  

If you do not want a tree but would like to support by making a contribution please do so at https://gf.me/u/ypksuc.

Thank you for your consideration and we hope that you can help us make the promise of change a reality.  

Thank you.

The African American Heritage Museum & Cultural Center

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Community Celebration

BLACK INSTITUTIONS MATTER!

AAHM&CC 35TH ANNIVERSARY CELEBRATION!

CLICK HERE TO WATCH A NARRATED PRESENTATION OF THE SLIDESHOW BELOW

On November 23rd, 2020, the African American Heritage Museum & Cultural Center literally celebrated 12,784 continuous days of protest against the overfunding of police and the underfunding of positive community institutions!

On that day, from 1-6pm, the people gathered for a safe socially distanced celebration of our Founder’s Day!

Watch our video of the event to learn about the true history of the occupation of the Colman School from the freedom fighters who began the struggle over three decades ago.

The people enjoyed free screen printing, live performances, light refreshments, and HOLIDAY TREES FOR PEACE!https://africanamericanheritagemuseumandculturalcenter.org/2020/11/23/african-aamerican-heritage-museum-and-cultural-center-to-host-the-annual-trees-for-peace-fundraiser-opening-on-the-35th-founders-day-november-23d/

We also revealed our NEW HISTORY EXHIBIT! and discussed how to support the ongoing struggle for a world-class Black institution that will fight against displacement and gentrification here in Seattle!

Alongside our HISTORY EXHIBIT!, we also proudly unveiled our latest traveling art exhibition: a photography display by renowned local artist Inye Wokoma!

We live streamed our event via our IG and FB! #FreeTheLand#PayTheFee#BlackInstituitionsMatter

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We are under attack!

URBAN LEAGUE’S GOONS HURL PROJECTILES FROM ROOFTOP ONTO AAHM&CC

PLEASE DONATE HELMETS, HARDHATS, SHOULDER PADS

TO PROTECT OUR VULNERABLE VOLUNTEERS!

Yesterday (October 12th, 2020), at approximately 6 pm, without warning or provocation, two Caucasian goons began hurling projectiles down from the high rooftop of the NAAM/UL-occupied building, into the gravel courtyard where the authentic African American Heritage Museum is conducting our operations.

The first knowledge we had of this attack was the sound of the first projectile hitting the tarpaulin roof of the studio of our co-founding Artist In Residence, Earl Debman, who is disabled and uses a wheelchair. He was very shaken by the surprise attack, describing it as “like the sound of a bomb going off”.

Depiction Of The AttackArtist In Residence Earl Debnam

Initially thinking that the projectile had come out of a window, we were then ambushed again –several minutes later—by a second projectile hitting the roof of traveling exhibit tent on the opposite side of the courtyard, this time from an angle that clearly originated from the rooftop.

Turning our attention to the roof, we observed two partially masked but clearly Caucasian individuals crouching behind the roof’s parapet wall, briefly emerging every few minutes to lob another projectile down upon us and our outdoor ground level museum tents. The projectiles turned out to be clods of wet dirt of the sort that is often fills indoor flower pots. These clods were definitely heavy enough to injure a person when thrown from that height.

The attackers kept up their assault for about fifteen minutes, presumably until they ran out of dirt clods to throw. Then they exited the roof back into the building through a trapdoor, to which they obviously had access from the inside, access which they could only have obtained through the auspices of the Urban League.

This is exactly the kind of white supremacist vigilante violence that the Urban League promotes and encourages against Black people and authentically Black-led organizations. This time the projectiles were only heavy, but at least soft. Next time, who knows?

This attack also apparently constitutes the Urban League’s long awaited reply to our last letter to them, which we hand delivered to their spokespeople on August 28th. In this letter, we proposed that a meeting between our organizations take place exactly one month later, September 28th, in Jimi Hendrix Park. We were present in that park throughout the entire day of September 28th, setting up our David Walker Exhibit.

Due to the escalating risk of injury to our volunteers from the increasingly violent vigilantism of the Urban League’s agents, we are calling upon the community to donate helmets, hardhats and shoulder pads to our museum, to increase our volunteers’ chances of surviving future projectile attacks from above.

-The AAHM&CC

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History Exhibition!

David Walker Autum Commemorative PUMPKINS!

CLICK HERE TO WATCH BRIEF VIDEO ABOUT DAVID WALKER’S APPEAL!

TAKE A PUMPKIN HOME!

(SLIDING SCALE DONATIONS ENCOURAGED!)

AND LEARN ABOUT DAVID WALKER’S APPEAL OF SEPTEMBER 28, 1829!

On September 28th, 2020, the 191st Anniversary of the completion of Black abolitionist David Walker’s heroic APPEAL of 1829, the AAHM&CC launched this Fall Pumpkin Fest!

CLICK HERE FOR FULL TEXT OF THE APPEAL! (Credit to the Journal of Pan African Studies).

David Walker (1797?-1830) was a courageous and visionary Black Abolitionist leader and activist. He put his life on the line by publicly demanding the immediate end of slavery in the early days of the US Empire, and by openly calling upon slaves to revolt against their masters.

David Walker ought to be a household name, as familiar as the other revered heroes of the Black freedom struggle.

This website: (www.davidwalkermemorial.org), published by folks in Walker’s home town of Boston, has detailed information about David Walker and his work. We encourage you to visit it.

-The AAHM&CC

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Art Exhibition!

AAHM&CC Proud To Host Traveling Art Exhibition: CHILE WOKE’s Symbols of Solidarity!

On September 18, 2020, Duwamish Territory,

The Chilean arts collective Chile Woke issued this moving statement on the connections between the Jimi Hendrix 50th Anniversary celebration in Jimi Hendrix Park, the return of the African American Heritage Museum & Cultural Center to it’s own rightful building adjacent to that Park, and the peoples’ democratic uprising that has been taking place in Chile since October 18, 2019.

The AAHM&CC is proud to be currently hosting the outdoor art exhibition by Chile Woke: Symbols of Solidarity!

Please come to the AAHM&CC during daytime hours to take in the magnificence of these images of, by and about the Chilean people!